Doubtfire or The Nutty Professor), or a prestige drama that already has heavy traction elsewhere (as in, Foxcatcher or Dallas Buyers Club). It's different, of course, when you're working on a mega-budgeted studio enterprise (think Guardians of the Galaxy or The Lord of the Rings), a broad comedy with latex-heavy transformations (i.e., Mrs. Hair and makeup work can be thankless tasks when it comes to the Academy Awards.
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